Ye Wan is full of ideas and has the drive to act on them.
As for Ji Chengming, he has blind faith in her.
Over the course of a lunch, the two had decided when to set off and which camera models to use.
Returning to the classroom, the directing students felt that Ji Chengming seemed like a changed person.
When Ye Wan reached the school gate, the business car had already been waiting at the café entrance for quite a while.
The car cruised toward the studio as Ye Wan opened the script on the tablet, delegating tasks to Qiu Yuze one by one.
Some were declined, but she recommended suitable candidates to the other party.
Others were arranged for other artists in the studio, asking Brother Qiu to notify each of their agents to take them for auditions.
At the end of the list, Ye Wan only kept two.
Dai Zhuoqing's "Cheongsam."
Director Ming's "Dark Flower."
The former is a spy drama, the latter a romance film.
One is about national duty, the other is tender and evocative.
