When we arrived at the outskirts of Moscow, due to the time difference, it was still night here, and very cold.
According to the Rational Embodiment, 'Night on the Outskirts of Moscow' is both a description of a time and place and the name of an old song.
Durin had never heard this song before; it seemed as if it had never existed in history, and none of the data disks in the stasis fields contained this song.
Yet the No-name could hum it with ease.
The song was good, said to be created by people from a nation called the Soviet Union before the arrival of destruction.
But Durin was very surprised—because he had believed this No-name should have existed at the end of the Destruction Era, and therefore should not know a song from seven or eight thousand years ago.
What could this mean? Could it be because he became the No-name, he had heard this song in other world lines?
