Let's not kid ourselves—do you really think the media moguls behind the major outlets are truly devoted to so-called "political correctness"?
Nonsense. It's all about political and PR expediency.
Give these people a little spotlight, and they'll forget their place in no time. Truth be told, not one of these influential media titans—whether at Viacom, News Corp, or any other powerhouse—is a fan of the not-so-bright, opportunistic "Black uncles and aunties" stirring up trouble. Take a look at the top decision-makers in the country's financial and military-industrial elite—how many of them are Black?
The truth is, these individuals—often more interested in basking in the sun than contributing to society—aren't exactly power players.
This situation can be traced back to post-WWII America, when the nation, having outlasted the "White Bear" of the Soviet Union, began to indulge itself. By the 1990s, as the U.S. exported its brand of "democracy" worldwide, it also embraced anti-intellectualism and populist thinking at home. The centerpiece of this movement? Elevating Black Americans' social status in a superficial bid to appear democratic.
And what's the result? Detroit, once the thriving "Motor City," became a wasteland, ruined by union exploitation and reckless policies.
Far from empowering Black communities, these hollow gestures only highlighted the chasm between reality and illusion. For instance, public outrage erupted when a white police officer knelt on a Black man's neck, an act emblematic of a society that hadn't truly addressed systemic issues.
Yet Hollywood has fallen into a bizarre cycle over the past two decades, enthralled by "political correctness." In modern films, Black characters can no longer be portrayed as outright villains. Even DC Comics' Catwoman is now Black! (Though Halle Berry undeniably has a great physique, her comments about China leave much to be desired.)
In truth, many media moguls have long been fed up with these so-called champions of justice—clowns propped up for marketing purposes.
Take the case of Senator Ver accusing Richard Castle of racism. Castle, a bona fide member of America's upper class, is white—a fact that, in mainstream society, grants him an inherent advantage over Ver, a mere local politician riding on identity politics. Furthermore, Castle is a shareholder in three major defense contractors, a position that strikes fear into the hearts of even seasoned politicians. Ver, by contrast, is just a minor Connecticut state senator, a "trans Black lesbian" in name only.
While Castle's standing among the elite may still be developing, he's undeniably part of their world. And let's be honest—who do you think the real power brokers in this country would side with? The esteemed writer and defense contractor shareholder, or the opportunistic politician flinging baseless accusations of racism?
The answer is clear.
This is why the TV show's producers were more than happy to tip off the host, encouraging him to exploit the situation for maximum drama. But even they couldn't have predicted Ver's reaction: hysterically accusing the host of racism, right there on live television.
The host couldn't help but laugh. So this is your true nature, Ver? Whenever something doesn't go your way, it's suddenly "racism"?
The studio audience, initially sympathetic, began murmuring among themselves. Meanwhile, the director in the control room wasted no time. Ignoring Ver's outbursts, they cued up the surveillance footage from Castle's estate on the massive studio screen behind her.
The edited clips began with Ver shamelessly demanding that Castle "sponsor" her campaign with $30–50 million. Her brazen, entitled demeanor was on full display. Hearing her own words echo from behind her and seeing her arrogant posturing on screen, Ver's façade crumbled. Her delicate "victim" act gave way to a snarling, rage-filled outburst.
She screamed at the host, demanding the footage be turned off. She knew it was over. But being publicly exposed like this? That was something her limited wit and political acumen simply couldn't handle.
Lacking the composure to navigate such a crisis, Ver resorted to her final, desperate tactic: her ultimate trump card.
"You're all RACISTS!" she bellowed, her voice cracking with fury.
The host and studio audience were stunned into silence. Even viewers at home were dumbfounded.
All the host had done was ask if the footage was authentic. How did that equate to racism? Ver's behavior was so absurdly defensive that it inadvertently confirmed her guilt.
"Are the voters in Connecticut idiots? How could they elect someone like her?"
This question echoed through the minds of many watching, though it wasn't entirely fair. Ver's rise to power wasn't a testament to her competence. Before her transition, as "Will," she had leveraged her race and penchant for public grandstanding about "democracy" and "blade-punching" to gain notoriety. Backed by a savvy campaign team, she won her seat not on merit but on the popularity of identity politics in recent decades.
But without her campaign team, Ver was out of her depth. Blinded by arrogance, she had failed to conduct even basic research on Castle before attempting to extort him. Now, she was paying the price.
Castle, seated comfortably in his mansion, watched the live broadcast alongside Big Ivan and his team, roaring with laughter. He had already been tipped off by the network's owner, who was eager to publicly humiliate Ver.
The media mogul, aligning himself with Castle, saw Ver as a disposable pawn. Why not seize this golden opportunity to tear her down?
As the surveillance footage continued to play, revealing every damning detail of Ver's visit to Castle's estate, her political career unraveled before the nation's eyes.
(End of Chapter)
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