Perhaps from a European perspective, such a plot seems reasonable and quite imbued with Oriental mystical charm. But to Arthur, this story could happen anywhere, except it shouldn't happen in China.
If nobody told him the story's background, he would most likely think Turandot should be an Arab Princess or a Greek Princess.
Because of this, Arthur specifically brought up "Turandot" at the internal meeting of the "Britisher" editorial department. Despite his usual caution, he couldn't help but boast about the adaptation of "Turandot" to Mendelssohn.
However, setting aside the story's background, "Turandot" is indeed a very captivating production.
After all, if it weren't a classic production, how could "Turandot" have captivated theaters for 200 years?
Even those who haven't gone to the theaters to appreciate "Turandot" firsthand can hum that famous aria "No One Sleeps Tonight" and that renowned Chinese folk song "Jasmine Flower."
Hmm?
"No One Sleeps Tonight"?
