Mid-June, the contract for her to sign came over; the adaptation rights sold for 300,000, and she could only get 120,000, just a 40% share.
She hadn't paid much attention to these adaptation rights before, but after checking relevant materials, she realized that some are owned by websites with no relation to the author. Some offer a fifty-fifty split, some are two hundred percent to the author, and in her case, she got a 40% share because of her potential, resulting in 120,000, which was frankly much lower than she expected, showing the real gap between an author and a screenwriter.
