As the translation took hold, the symbols started to make sense. Each one represented not a word or phrase, but a principle of existence. The first symbol showed the birth of motion—the moment time began to flow. The second revealed stillness—the end of that motion. The third symbol was the bridge between them, the cycle of return that defined all creation.
Together, they formed the basis of Chrono Genesis.
The deeper Max went, the more he realized the magnitude of what he was learning. Chrono Genesis wasn't merely an art or a divine technique. It was an embodiment of the origin of time itself.
It spoke of creation through destruction, of reversal through renewal. It was a process where one could give birth to a moment, destroy it, and then recreate it again—an endless loop of birth and return that mimicked the flow of time.
He could see fragments of what the technique could achieve:
Moments where time fractured like glass, only to reform perfectly.
