"It's started?"
At the back door of the classroom, Katherine Collins held the script while watching the scene, suddenly hearing a voice behind her.
She turned around in surprise and, upon seeing Henry Chapman, her eyes lit up, and she nodded.
Henry stood behind her, looking inside, and spotted Nora Scott, who had a somewhat gentle and mature demeanor, slightly pausing as his eyes deepened, seemingly reassured.
In front of the camera, Nora was not at all anxious or stiff; her mental fortitude allowed her to ignore all pressure, and her in-depth understanding of the role made her performance seem effortless.
In contrast—
Rosa Sullivan was much less impressive.
Her expression was stiff and unnatural, her performance choppy. The scene where she wakes up on the desk, realizing her rebirth, was played out so calmly and collectedly, as if she had just woken up.
