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Chapter 162 - Chapter 162: Careful Grafting

Ron's appearance meant that Harry was once again stepping into the wizarding world.

Uh—

If you look closely, the opening beats of the early HP installments are actually all the same.

If we borrow the structure of video games as a metaphor:

The Muggle world is like the quest hub, where the player Harry picks up missions;

The wizarding world is a collection of dungeons.

The first part, Philosopher's Stone, explores the main open-world dungeon: Hogwarts;

The second part, Chamber of Secrets, explores a side dungeon: Hogwarts – Moaning Myrtle;

The third part, Prisoner of Azkaban, explores a prequel dungeon: Hogwarts – the former Marauders;

The fourth part, Goblet of Fire, ups the scale even further, with two dungeons: one is the spin-off dungeon, the Quidditch World Cup, and the other is the mainline dungeon, Hogwarts – the Triwizard Tournament.

Since the latter belongs to Goblet of Fire (Part Two)—

Let's ignore it for now.

Back to the movie.

Ron's domineering CEO-like entrance made the Dursleys furious, but they didn't dare yell in front of a wizard, so they could only swallow their anger, faces twisted, watching Harry leave happily.

But in reality—

The moment Floo Powder was thrown, the smile vanished from Harry's face.

Because the Floo Powder transportation process was absolutely disgusting. The moment that tooth-against-tooth visual effect kicked in, Harry felt like a stuffed bear tossed into a washing machine.

His organs seemed to shift all at once, spinning violently, leaving him dizzy, nauseous, and on the verge of throwing up.

Just as he was yelling and about to lose it, the magic surrounding him suddenly disappeared. It felt as if an invisible giant foot appeared behind him and kicked him hard in the butt.

With a loud "thump," he face-slid forward.

"Skrrt—"

He slid straight out of the Weasley family's fireplace.

Then—

"Meow?"

The sudden, puzzled cat sound made Harry lift his head with great difficulty.

The image on the screen smash-cut to Harry's first-person view. As his line of sight rose, he first saw a sofa and a pair of shoes, then long, chopstick-like legs, and Crookshanks sprawled across them.

Hermione's cat had its head tilted, staring in shock at Harry, who had just appeared crawling forward in a full prostration pose.

It had no idea what he was trying to pull.

Just as Harry was drowning in embarrassment—

"Oh, Harry, even though I know we haven't seen each other all summer and we really missed each other, but—"

"You don't need to bow to me."

Harry's head snapped up.

The owner of those chopstick legs was Hermione!

Hermione, sitting on the sofa, twitched her mouth as she looked at Harry.

From her perspective, Harry had just appeared and immediately performed a deep bow to her.

And Harry—

"Oh! Hermione! Listen to me! This is the Floo Powder's fault—"

"Thump."

"Skrrt."

Before Harry could finish explaining, another loud crash rang out.

The perspective shifted to Hermione's side. Ron, who had been cosplaying a domineering CEO at the Dursleys' house moments ago, also slid out of the fireplace.

And, by sheer coincidence, stopped right next to Harry.

When Ron, feeling that he had bumped into someone, raised his face covered in fireplace soot—

The confusion of having to look up, and the shock of someone looking down at him, froze the entire world.

The pause on screen, the three of them staring wide-eyed at each other, made the premiere audience erupt into explosive laughter—

"Hahahahaha—Hermione's entrance is so good—"

"OMG—is this the top student judging two idiots? Hahahaha—this adaptation is so fun!"

"Look at Harry's eyes! He was about to explain that he totally knows how to use Floo Powder, but the moment Ron slides in too, he just gives up! Because he's not the only one who failed the exam!"

"There's relief in his eyes!"

"And Ron! His expression is hilarious too! When he looks up at Hermione, his eyes are full of embarrassment! Hahaha—"

"Wait, did you notice? From Harry's perspective—wow~ Hermione is so beautiful!"

Wave after wave of laughter rolled through the hall, making Daniel and Rupert, seated in the front row, curl their lips into smiles.

The audience's enjoyment made them happy.

But at the same time, the two of them almost simultaneously turned their heads.

They tapped out a series of "pfft pfft" signals toward the smiling Isabella beside them.

"What?" Isabella turned her head in confusion, not understanding.

"Oh, Isa, even though everyone thinks your changes are good, could you maybe write us a bit more decently next time?" Daniel stated his request bluntly.

Rupert nodded vigorously in agreement.

Isabella pressed her lips together and chuckled, giving a light response as if agreeing.

But inside—

"In your dreams."

She muttered silently.

Yes.

Hermione's entrance in the movie differs from the novel.

In the book, Hermione's appearance is unremarkable.

She simply greets Harry briefly after he arrives at the Weasley house.

But in the movie—

During filming, or rather during creation, Isabella added a bit of slapstick to make the audience happy.

Of course, adaptation isn't random nonsense, and playful retelling isn't outright fabrication.

In the original novel, when Harry re-enters the wizarding world, J.K. Rowling already wrote plenty of humorous moments.

For example—

Since the Dursleys had long switched to electric stoves, their fireplace was sealed off and abandoned. So when Ron and the others used Floo Powder to arrive at the Dursley house, they were immediately hit with a "trapped" debuff.

They got stuck inside the fireplace.

Then Mr. Weasley used magic to blow the fireplace open.

Another example—

The Dursleys' diet plan left Harry's cousin Dudley starving and seeing stars. So when he noticed candy falling out of Ron's brother Fred Weasley's pocket, he instinctively stole and ate it.

And then he underwent a glorious evolution, transforming into something straight out of Marvel's Venom.

His tongue stretched a full four feet long, purple-red in color.

What Dudley ate was a Ton-Tongue Toffee, created by the Weasley twins in preparation for opening Weasleys' Wizard Wheezes.

Because a film's narrative time is limited—

Wait, why does that sound like a boomerang coming back at me?

Forget it.

Even though Goblet of Fire was split into two films by Chris Columbus, over three hundred minutes of runtime was still too short. It simply couldn't support perfectly fleshing out every character.

So during adaptation, scenes unrelated to the main plot had to be cut, painfully but inevitably.

Still, the "soul" Rowling wanted to convey was restored as much as possible.

It's just that this kind of restoration—

Could only appear on the main trio through a kind of narrative reshuffling.

Honestly, it was a make-do solution.

The audience's laughter didn't slow the story down.

The moment Harry appeared, the Weasley family warmly welcomed him.

Then, as they invited him to sit down for a meal, Mrs. Weasley told the twins to clear the things spread across the table and warned them not to sell their "junk toys" at Hogwarts.

Their mother's scolding made the twins quite dejected.

It also made Harry curious about what they were talking about.

And it prompted Ron to explain his brothers' grand plan at just the right moment: "Fred and George want to open a joke shop, selling all the super fun stuff they make.

"But my mum doesn't agree. She wants them to study properly and get jobs at the Ministry of Magic after graduating."

"So—"

"Mm-hmm."

Ron shook his head regretfully.

That small sound signaled that the plotline about Weasleys' Wizard Wheezes was only touched on briefly.

Of course, any scene that appears on screen is important.

Take Weasleys' Wizard Wheezes, for example. That shop is directly tied to the main plot:

After winning the Triwizard Tournament, Harry gives all his prize money to the twins so they can open the shop they've always wanted. That's when Weasleys' Wizard Wheezes is officially founded.

Later, after Voldemort's return, when most shops in the wizarding world and Diagon Alley shut down and flee, only Weasleys' Wizard Wheezes remains brightly lit.

It becomes a guiding light that still stands after darkness falls.

You don't need to depict this in detail, but you can't omit it entirely, or you'll create a narrative bug.

After everyone sat down to eat, Mr. Weasley mentioned that the Quidditch World Cup tickets were arranged by Ludo Bagman, head of the Department of Magical Games and Sports. He's a good man, but he's currently in trouble because one of his subordinates has been missing for a long time.

That subordinate is Bertha Jorkins.

The plot connects!

Because the movie already stated at the very beginning that Bertha Jorkins is dead.

Killed by Voldemort.

The sudden linkage snapped everyone to attention.

All eyes locked onto the screen.

Alright, that's nonsense.

Anyone at the premiere had basically read the original, so they all knew where the story was going.

Even so, they watched with great interest.

Once the film's first task—technically a hidden task—officially went live, Goblet of Fire (Part One) began to advance the plot in huge strides. The reasons were simple:

First, warmth and family time aren't the main storyline of Goblet of Fire, or even of HP in general.

Second, by this point the movie had already spent 24 minutes of footage portraying warmth. If it didn't get to the Quidditch World Cup soon, Goblet of Fire would have to be split into three parts to finish the story—

After the meal, Mrs. Weasley urged everyone to hurry and depart.

Harry didn't understand why they had to rush.

Ginny explained that each Quidditch World Cup attracted at least a hundred thousand witches and wizards. To avoid traffic jams and better control magic so it wouldn't leak into the Muggle world and cause panic, the Ministry of Magic strictly regulated travel methods. Wizards who could Apparate could directly teleport to designated locations to watch the match, while those who couldn't—

"Had to use Portkeys," Hermione chimed in. "The Ministry deployed 200 Portkeys across Britain. Touch one, and you'll be transported to the designated spot."

"That's amazing," Harry said, surprised.

Before his words even finished, a cheer rang out.

"Oh—Arthur—you finally made it—"

The Diggorys had arrived.

The bespectacled middle-aged man, Amos Diggory, was a colleague of Mr. Weasley at the Ministry.

The younger Cedric Diggory was Hogwarts' champion in the Triwizard Tournament.

But since Harry Potter is the chosen protagonist of Harry Potter, no matter how heroic Cedric is—

He can only be the protagonist in Twilight.

Yes, Cedric Diggory is played by Robert Pattinson.

As the saying goes, in Britain there are only two kinds of actors: those who've been in HP, and those who haven't.

"Oh—Cedric is really handsome. This casting is great—he totally looks like Hogwarts' heartthrob."

Looks are justice.

The moment Robert Pattinson appeared, many young audience members at the premiere started seeing stars in their eyes.

After a brief exchange, everyone used an old boot-shaped Portkey to arrive at the Quidditch World Cup campsite.

The sight of tens of thousands gathered was breathtaking.

Inside the camp, all kinds of novel and interesting things overwhelmed the senses.

What followed was a sequence of montage scenes. In the book, everyone sets up their own tents;

But in the movie, everyone stays in tents provided by the organizers, all enchanted with the Extension Charm;

In the book, Harry chats with his dormmates Seamus Finnigan and Dean Thomas, and they all support the Irish team;

But in the movie, only the encounter with Cho Chang is kept. Harry finds her beautiful and is so distracted that he spills water all over himself;

In the book, they spend a full day living at the campsite, making their own fires, cooking, and talking to many people;

But in the movie—

"There really isn't enough time, sweetheart!"

So Chris Columbus only kept one bit in the film: the conversation between everyone and Ludo Bagman, the Head of the Department of Magical Games and Sports, the very man who helped Mr. Weasley get the Quidditch World Cup tickets.

As for the reason—

"Mr. Bagman, has Bertha Jorkins been found?"

After shaking hands with the director, Ron's dad, Mr. Weasley, immediately showed concern like a classic "good guy."

"Oh, no," Ludo Bagman shook his head. "But finding her isn't my top priority anymore. My most important job right now is making sure the Quidditch World Cup runs smoothly from start to finish. Oh, right—have you seen old Barty?"

"Bagman—I'm right here—"

Old Barty Crouch, Head of the Department of International Magical Cooperation, happened to appear.

The three of them then moved aside and started whispering.

Their sneaky behavior caught the attention of the trio, but since the adults were talking privately, Harry, Hermione, and Ron had no idea what was being discussed.

But anyone who's read the novel knows—

This is not a plotline you can cut.

Because Barty Crouch has a son called Barty Crouch Jr.

He's a Death Eater.

He was exposed back in the 1980s and sent to Azkaban.

But before his mother died, she took Polyjuice Potion and went to Azkaban in his place—so Barty Jr. ultimately escaped. Officially, he was said to have died of illness.

After escaping, Barty Jr. still wanted to serve Voldemort. With no other option, old Barty "sealed" him inside the family home and had the house-elf Winky watch over him. When Winky learned that her young master loved Quidditch, she persuaded old Barty to let him go out for some fresh air. And that's how Barty Jr. ended up casting the Dark Mark at the Quidditch World Cup.

Yes.

The Dark Mark at the World Cup had nothing to do with Voldemort.

The one who cast it was Barty Jr.

Because Voldemort is sneaky and cautious—he didn't want to act when there were too many witnesses.

Once the storyline involving old Barty Crouch reconnects with the reappearance of the Dark Mark, this part of the plot becomes impossible to cut.

And on top of that, old Barty Crouch is tied to an even more important main thread.

Earlier, due to an accident, Bertha Jorkins, a subordinate of the Department of Magical Games and Sports, discovered that Barty Jr. hadn't died but had been rescued from Azkaban by his father. She intended to report this to high-ranking officials at the Ministry.

But how could a father desperate to protect his son allow that to happen?

And of course, he didn't want his public image to collapse either.

He was a top Ministry official.

So he cast Obliviate on Bertha Jorkins.

That's why, when Wormtail captured Bertha Jorkins, Voldemort learned that his most loyal follower, Barty Jr., was still alive. And it was also because of Bertha Jorkins that Voldemort set his sights on the Triwizard Tournament.

After all, the Ministry already knew the tournament would be revived that year.

At this moment on screen, Mr. Weasley is talking about all this with them.

The storylines are tangled.

But they aren't hard to film.

Because J.K. Rowling laid out the narrative very clearly.

As long as the director cuts the side branches and keeps the main threads intact, the entire HP story remains logically sound.

So—

On screen, under the bright sun, the trio, the Weasley twins, Ginny, and the others are having the time of their lives at the Quidditch World Cup venue. Everyone is shopping like crazy, especially Harry. Rich kid perks.

And if he runs out of money, he can always shake down his godfather for more.

Not like Sirius has many places to spend it anyway.

Heh.

Meanwhile, in the shadows, the adults use the simplest words to lay out a conspiracy that everyone can understand—

When night falls, the Quidditch World Cup officially begins:

The house-elf Winky officially appears, bringing out Dobby's circumstances and the Barty Jr. storyline. The Malfoy family also shows up—father and son, permanent taunt-tanks, provoking hostility the moment they appear.

Ludo Bagman announces the start of the match.

Then come the team mascots' performances. In the original novel, the Bulgarian team's Veela dance and the Irish team's leprechauns showering gold are faithfully recreated by Chris Columbus.

After the teams enter the field, a match "show" lasting over four minutes unfolds—

In the book, the match is mostly told from the teams' perspective and has little to do with the trio. If adapted exactly as written, it would look like the trio simply vanished from the story.

So to avoid muddling priorities, Harry and Ron are turned into full-blown commentators for this scene. Chris Columbus has each of them support a different team, while Hermione stays neutral.

If you really had to describe it—

One second, Ron is shouting into Hermione's ear—

"Oh! Hermione! That's Krum! Bulgaria's eagle!"

The next second, Harry is screaming into her other ear—

"Lynch! Lynch! Hermione, look! Ireland's Lynch is attacking in an eagle-head formation!"

"…."

Hermione practically wants to grow eight eyes.

"Hahahahaha—oh—Hermione looking left and right is so cute!"

"My god! Doesn't it feel like Hermione is being squashed into a pancake?"

"No no no! That's a book-flavored hamburger!"

The thrilling effects and the trio's involvement leave the audience laughing nonstop.

With Ireland lifting the trophy, the Quidditch World Cup officially ends, and everyone returns to the campsite amid cheers and arguments.

Cheers, because the Irish made Britain proud.

Arguments, because Ron doesn't understand how Bulgaria lost when they clearly caught the Golden Snitch.

But after a bit of noise, none of that matters anymore.

Because—

The FFF squad has appeared!

…Pfft.

Scratch that.

A group of hooded, masked Death Eaters raise their wands and appear.

In the novel, their actions are extremely vile. They capture women, hang them upside down to expose their underwear, and torment their children. But all that—if filmed—would turn the movie into an R-rated nightmare.

So on screen, all you get is arson, looting, and destruction.

Adult wizards fight back. Underage wizards scatter and flee.

During the chaos, Harry suddenly realizes his wand is missing, which panics him.

Hermione and Ron immediately help search for it. Then they notice someone in the forest nearby.

That person raises a wand and casts a spell into the sky.

A massive explosion echoes, forming a gigantic skull in the sky.

The appearance of the Dark Mark throws the scene into even greater chaos.

Voldemort's symbol triggers countless screams.

Terrified, nose-less–fearing wizards flee in all directions.

Just as the trio tries to see who cast the spell—

"Whoosh whoosh whoosh—"

Ministry wizards rain down from the sky like dumplings.

They immediately start firing Stunning Spells at the clustered trio.

Honestly, the Ministry's performance here is peak "useless teammate."

They can't catch a single Death Eater to save their lives, but they're lightning-fast at attacking allies.

Even more magically, the trio just crouches down and dodges all the spells.

So what, are they immune to magic?

Dodging a full 360-degree AOE like that is honestly ridiculous.

But since that's exactly how J.K. Rowling wrote it—

Take it up with the original author if you've got complaints.

Only after Mr. Weasley jumps out and yells that his kids are in the middle does the Ministry stop attacking.

Then old Barty rushes up, wand raised, and immediately launches into furious questioning:

"Which one of you cast the spell?!"

"Don't lie to me! This is a crime scene!"

"Crime?" Harry looks confused. "What do you mean?"

Hermione quickly explains, "That was the Dark Mark, Harry. It's his mark."

"Who? Voldemort?" Harry finally connects the dots.

That makes old Barty snap his wand up and shout, "So you cast the spell?"

As if to bolster his authority, he adds sharply, "Do not lie, kid!"

The sudden rise in volume makes Harry and Ron flinch.

It also makes Mr. Weasley furious. "Barty, they're just children—"

But before Mr. Weasley can finish, Hermione Granger speaks up.

With a complicated expression, she says, "Mr. Crouch, this is Harry Potter. How could he possibly cast the Dark Mark?"

The question stuns old Barty.

The next second, the old man's expression shifts again as he stares at Hermione. "Miss, do you know something?"

"Do you know where the mark came from?"

Hermione raises her hand decisively.

She recounts everything she just saw.

"Over there—in the forest. Someone raised a wand and cast a spell into the sky—"

"Oh? You seem to know quite a bit about how to create the mark, don't you, miss?"

Hermione's goodwill goes unrewarded.

Old Barty flips his wrist, points his wand at Hermione Granger, his eyes bulging like a dead fish as he snarls suspiciously, "So you cast the spell, didn't you? Hermione Granger?"

His sneering tone makes the surrounding wizards raise their wands again!

The "whoosh whoosh whoosh" sounds yank at everyone's nerves!

The dark wand tips radiate something called death!

The sudden, crushing tension makes everyone hold their breath!

And Hermione Granger—

At this moment, Hermione looks at old Barty with an expression that says "this is beyond saving."

Like she's looking at an idiot.

The girl says flatly, "Mr. Barty Crouch."

"This year marks the fourth year since Harry Potter and I officially met."

"If I were capable of casting the Dark Mark, Harry Potter would've been dead a long time ago."

"Boom."

The light, casual words leave everyone present completely stunned.

The premiere audience, on the other hand, erupts in endless cheers:

"Oh—Hermione roasted him perfectly!"

"Hahahahaha—old Barty is completely stunned!"

"He knows better than anyone there that the Dark Mark could only have been cast by his son, right? So he comes in framing people, and Hermione shuts him down? Oh—this shameless old bastard deserved it!"

"I love this adaptation!!!"

The audience is extremely satisfied with what they see on screen.

In the original Goblet of Fire, the appearance of the Dark Mark does indeed put old Barty on edge.

Because he knows his son came to watch the World Cup, and he knows his son is fanatically loyal to Voldemort—making him the most likely person among a hundred thousand spectators to cast the Dark Mark.

Precisely because old Barty knows his son so well, and because his son disappears after the Death Eaters show up, when he finds a third person at the scene, he instinctively turns into a rabid dog and attacks.

From a father's perspective, his behavior makes sense.

It's like what that old man once said when pardoning his son—

"I hope the people can understand why a father and a president would make such a decision."

But from a rational perspective?

His actions are riddled with bugs.

First, the entire wizarding world knows Voldemort wants to kill Harry Potter.

So Harry Potter is the single least likely person in the world to cast the Dark Mark.

Second, the entire wizarding world knows Voldemort wants to kill Harry Potter.

So Hermione Granger and Ron Weasley are Death Eaters?

Oh—

Then Harry Potter not having died and reincarnated 10,086 times already would be sheer luck.

In the novel, however, all these arguments and rebuttals come from adult wizards.

The trio remains passive, forced to endure suspicion.

As a result, readers feel deeply frustrated reading that section.

But in the movie—

Isabella changed it.

First, because film runtime is limited and can't support too many characters.

Second, because in Goblet of Fire, Hermione doesn't actually get many standout moments.

So—

Honestly speaking.

If you had the power to modify the script, wouldn't you want to make the character you play shine a bit more?

And when that enhancement doesn't affect the main plot—

Let's be real.

Most people would do it.

Isabella considers herself an ordinary person.

So when creating the film, she let herself be just a little bit selfish.

And now—

"Was my change good?" Isabella quietly asks Chris Columbus.

"Yes."

Columbus nods immediately.

His words are casual, but his tone is sincere. He genuinely thinks the change works well.

At the very least, it's satisfying for the audience.

And resolving conflict in just a few lines perfectly fits Hermione Granger's top-student persona.

His approval makes Isabella delighted.

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