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Chapter 23 - My Creation, My Undoing. - Ch.23.

Corvian, 3180

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I chose a seat where I could see him without effort. Second row from the back, left of center, where the walkway cut a clean line through the gathering. The room presented itself like a polished throat—tablecloths pressed to stillness, glassware aligned in glittering ranks, hydrangeas and pale lilies breathing their sweet fatigue into the air. Doors parted and the wealth of the north slipped in on quiet shoes: women draped in jewel tones, their dresses lettered with stones; men sheathed in cloth so new it still held a tailor's blessing. Their laughs were trained and soft. Diamonds chimed when wrists brushed. The servers moved like practiced shadows.

A few among them carried the scent of my kind without knowing the word for it—companions wearing borrowed faces, natures wrapped carefully in the patience of silk. I marked them the way the old world taught us to count the hours: by steadiness, by how nothing in them startled, by how their eyes did not rove but measured. One glanced at me and withdrew, polite, as if recognizing a parishioner in the wrong church.

Above the terrace the evening had settled to bruised blue, the harbor drawing its long breath somewhere below the balustrade. The stage rose at the far end of the deck, trimmed in filament bloom, cables hidden beneath linen skirts. The house was at thirty, the skyline flare nearly ready, the color temperature tuned to make flame look like memory. Someone had listened. Someone meant to flatter fire without ever earning it.

Hugo waited behind the curtain of the service door where he thought no one could see him, a figure stitched tight inside borrowed elegance. The ring at his lip gathered every stray glint and made a point of him. That small defiance pleased me. He did not belong in their world any more than they belonged in mine, yet the night insisted it could hold us both like a coin with two heads—one for blessing, one for debt.

Acacia crossed the stage with a clipboard in one hand and a smile worn clean with repetition. She carried herself like a woman translating chaos into ceremony. When she reached the center, the chatter thinned in obedient degrees.

"Good evening, everyone." Her voice rode gently over the room, captured by invisible wiring, softened by velvet drapes and expensive expectation. "On behalf of the Morrison, welcome to our midsummer benefit for the Lighthouse Fund—supporting harbor youth, shelter beds, and the night ambulance that answers when the city cannot." A ripple of hands came together, polite and practiced. She did not flinch at the tepidness of it. "Your presence sustains a service that has never once closed its door."

There are phrases mortals speak that taste of prayer even when they refuse to kneel. This was one.

She continued, "We're honored to share an evening of music and performance with you. Please enjoy our opening ensemble." A glance to the wing. "The Alder Quartet, joined tonight by harp."

The lights matured by a careful degree. Musicians took their places: two violins, a viola, a cello, and the harpist settling like a white bird folding itself along a golden frame. Bowed strings warmed the air with long, patient lines. The harp answered in clear plucked syllables that fell and vanished, each note a small glass dropped into a well. The sound threaded itself across the crowd, found the salt at the back of the wind, and made a veil of it.

A woman at the next table wept without disturbing her makeup. A man across the aisle stared at the stage with the serenity of a ledger balanced to the last digit. Those who carried companions sat very still. I listened for cracks and heard none. Humans build fortresses called evenings and climb inside them like children playing house. It is almost beautiful. Almost.

I let the first movement pass through me and considered the geometry of the night. Clay stood near the far entrance with the look of a host who has already forgiven everything he cannot control, tucking stray details into invisible pockets. His attention kept straying to the service door where a shadow waited—Hugo, spreading and gathering himself like water learning a new shore. He would walk out when I asked it of him. He would walk out even if I did not.

A server paused at my elbow. "Sparkling water, sir?"

"Thank you." I did not drink. The glass grew beads of condensation and wore them like pearls until the warmth of the room took them back. The quartet climbed a little higher; the harp took a brief crown of melody and yielded it to the cello's darker line. Music has always known how to imitate longing. It makes an idol of it. Mortals applaud and call it culture.

My gaze returned to the door. There he was again, the quick proof of him. He touched the earpiece with his thumb, as if testing the nearness of his own voice. The line of his throat worked once. He looked like a young saint instructed to wear velvet for the hour and sin afterward.

I bent my head as if in prayer and felt nothing like it. The stage lights eased once more, tinting wood and skin, dressing the instruments in tungsten wash. The last chord lay down with ceremony. Applause rose—silken, satisfied. Acacia stepped forward to thank the players and gesture them off.

The night opened its next page. I kept my seat, a patient god among patrons who did not remember that gods may be seated anywhere. Hugo's cue would arrive. He would step into their circle and trade wonder for coin, obedience for a small crown of praise. I would permit it. For the moment.

Something brushed my shoulder—no touch, only the pass of a thought. I inclined my head to no one. The companions in the room did the same, almost imperceptibly, answering a bell that mortal ears could not name.

It is showtime.

Applause closed over the quartet like water over a stone. A polite roaring, timed and tempered, the kind that flatters itself for sounding grand. Acacia returned to the center, the light giving her face a soft devotional plane. She knew how to stand where attention concentrates, how to feed it without trembling.

"A ritual of the Morrison," she announced, voice warmed by the room, "is to invite something beyond entertainment, beyond what you expect to see. Tonight we welcome a new talent—carved from years of practice, sharpened by nerve. Please, greet with me: Hugo Hollands."

Names are small crowns. The crowd lifted theirs and offered one to him.

He stepped out. Oddly assured, as if he had borrowed the stride of a more seasoned creature and it fit. The ring at his lip quickened with the lamps, a small spark struck and held. He stood where the stage asks for a heartbeat, then inclined his head a fraction.

"Good evening," he said.

A murmured answer returned to him, the room testing its own willingness to obey.

He patted his pockets in a show of mild confusion. "I think I didn't bring my deck." He searched his jacket, the inside breast, the lower pockets, a deft pantomime of error. He let a breath hang in the lamps. "Or maybe—"

He lifted his hand toward the dark of the rear aisle.

Cards arrived like a flock turning as one. From the very back of the hall they cut through the air in a deliberate stream, whirling end over end, slipped cleanly between bodies without touching a sleeve, and spilled onto the stage at his feet in a bright scatter. A few guests gasped, the elegant version of a cry. Someone laughed once, the astonished kind that forgets itself. He hadn't moved from his place. He only watched them arrive, the way a man watches rain he called by name.

I felt the room hitch its breath. Good. Let them lean closer.

He extended two fingers toward the heap. The spread shivered, gathered itself, rose as if remembering it belonged together. The deck assembled in the air in tidy sequence, squared with a tap that touched nothing, then floated to his waiting palm. He smiled without showing teeth.

"Now I can start."

He fanned the cards. They obeyed him like birds taught to rest on a wire. He sent them in a ribbon toward the edge of the stage, snatched one without looking, and made the rest return to hand in a clean sweep. He let silence do some of the work; the silence did not argue.

"I need a volunteer," he said, eyes traveling the tables. "Anyone?"

A young woman raised her hand with the kind of grace that expects to be noticed. Silk the color of winter fruit clung to her shoulders. She wore diamonds light enough to forget, heavy enough to prove a point.

"You," he said, and beckoned.

When she reached the stairs, he did something that did not belong to me. He went to meet her. He offered his hand—steady, careful—and lifted her lightly onto the stage as if her shoes were an argument he wished to win without strain. The gesture was not performance. It came from him. It surprised me, as small human mercies often do when they have not been trained into place.

He turned the deck for her. "Shuffle as much as you like," he said, stepping back to give her the surface of the light.

She shuffled. The sound carried like soft rain on paper. He did not watch her hands. He watched the room watch her, and in that watching he took their attention away and kept it.

"Happy?" he asked when she was done.

"I think so," she said, smiling to the audience, newly allied to them by stage logic.

He opened his palm from several paces away. The cards left her hands and drifted toward him in a slow orderly drift, as if the air had turned to water and he knew exactly how to swim through it. He cut the deck mid-flight; half remained with him, half hung above her shoulder like a small constellation finding its shape.

"Hold out your right hand," he said.

She obeyed. He sent the suspended half down until three cards settled across her fingers, edges kissing her skin. He did not come near her. He named a suit. "Hearts," he said quietly, and the three backs pulsed once with color, the red bleeding through paper without tearing it. A murmur rose—soft disbelief, then hunger for more. He lifted his eyes to hers.

"Think of someone you love," he said, gentle. "Don't say their name. Keep it where names live."

This is where mortals open themselves like houses with unlocked doors. This is where gods used to step over the threshold uninvited.

He touched two cards in the air with his gaze alone, and they turned slowly to reveal their faces—both hearts, matched like eyes. The third remained facedown on her palm.

"That last one is for you," he said. "Don't look yet."

He rotated his wrist; the cards he held broke into a spiral, a quiet cyclone that circled him once and reformed without losing a single order. He called a number. A card fell from the ring like a plucked fruit and landed, impossibly, on the sole of her shoe, upright, looking up at her with the inevitability of a sentence already written.

"That's impossible," she whispered, forgetting the microphone, forgetting the dress, forgetting herself. "How did you—"

"May I adjust your hair?" he asked, and the way he asked made the room believe consent mattered. She nodded, a small tilt of the head.

He did not move closer. He did not raise a hand to touch her. He only shifted two fingers in the still air where her outline trembled in the light.

Her hair obeyed. The strand resting over her shoulder lifted in a graceful arc and slid behind her back as if guided by a breeze that chose a single path. The audience drew in a breath all at once. The diamonds at her throat caught the light, then stilled. He let the strangeness rest there, unadorned by explanation, uninsulted by patter.

"Thank you," he said, as if he had returned to something simple.

I watched him the way one watches a city from a height, noting where the streets knot, where the river pretends to choose its own bed. This was not only my work gleaming through his sinew. This was the pulse he brought with him from childhood—fear taught to stand upright, tenderness disguised as precision, need trained into grace. The crowd recognized none of that. They recognized only astonishment and paid for it with their eyes.

He turned to the woman again. "Now," he said, and nodded at the facedown card resting on her palm. "Look."

She turned it. Whatever name she had locked inside herself looked back from a red heart. The room tipped, not with sound but with the weight of belief shifting where it sits when the world gives a little. She lifted her other hand to her mouth and laughed once, helpless.

I allowed myself a quiet verdict, almost praise and not quite: continue.

The applause for the card trick carried like the aftertaste of wine—sweet, startled, and unfinished. When it died, he stood alone again, the crowd holding its breath as if afraid of scaring the moment away.

Hugo turned slightly toward the wings, his profile clean in the light, that small ring at his lip glimmering like punctuation between two worlds. The stage had begun to cool. He let the silence stretch, let it shape itself into something expectant. Then, very quietly, he said, "Would you like to see something warmer?"

A murmur answered. Consent. Curiosity. The sound of people leaning closer.

He lifted his hands.

At first, there was nothing. Then, a tremor along the air—a ripple in the golden haze above the lamps. The dimmers eased; filament halos thinned. From the space between his palms, light bloomed—not like a flame, but like something remembering how to be one. It coiled once, tasting the air, and then opened itself fully. Fire—living, breathing, behaving.

The audience gasped. A woman pressed her hand to her mouth. A man laughed softly, a laugh born of disbelief.

The flame bent under Hugo's control, its color shifting from amber to a bruised blue, then to white. He moved it between his fingers the way one moves silk through water. When he drew his hand back, the flame followed. When he closed his fist, it vanished, leaving the stage swallowed by a sudden darkness.

For a heartbeat, nothing moved.

Then the fire returned, not from his hands this time, but beneath his feet—threads of light running across the wooden boards, tracing sigils too quick for the human eye. They drew circles around him, intersecting lines that glowed and faded, alive for only as long as belief allowed.

I watched from my seat, the heat a ghost on my skin. This was no trick. Not the illusion of a magician, but the expression of a pact. The crowd didn't know it, couldn't know it. They were seeing devotion misread as spectacle.

Hugo took a step forward, and fire followed like a loyal animal. The edges of the stage shivered with heat, glassware in the front row reflecting tiny suns. He turned his hand and the flame lifted, strands separating into small floating orbs, their light flickering like candlewicks in wind.

He spoke to them quietly, words only I could have understood. They listened. They always do.

The orbs rose higher, swirling above him in a loose constellation. He extended both arms. For a moment, he looked like a figure caught in prayer, or defiance. The orbs began to pulse faster, growing thinner, longer, each stretching until wings appeared—delicate, translucent, stitched by fire.

The room drew its collective breath.

Butterflies, born from the very air, from light and ash, from the residue of his will. Their bodies burned but did not consume; each one carried its own fragile blaze. They circled him slowly, rising higher, filling the space above the stage with the quiet sound of moving wings.

The audience sat in reverent silence, faces upturned, eyes wide. For a moment, their refinement faltered. They looked like children again, eyes full of something they could not name.

The butterflies scattered, filling the dome of the ceiling like sparks from a divine forge. Some passed close enough that the guests could see the shimmer of their wings. A woman in the front row reached upward without thinking, her diamond bracelet catching the same light. Hugo watched her hand fall back to her lap, slow, hesitant, unbelieving.

He turned one last time toward the center of the stage. His hands lowered. The butterflies began to disintegrate midair—each dissolving into small embers that drifted down, turning black before they touched the ground. When the final ember fell, the chandeliers reignited with a soft sigh, restoring the room to its golden civility.

Applause did not come right away. There was a hush, a pause filled with awe too raw for sound. Then someone began to clap, tentative, as though unsure if what they'd witnessed was allowed. Others followed, and soon the hall erupted into thunder.

Hugo bowed lightly, his expression unreadable. He looked neither proud nor humbled—only aware of what he had done, and of what it had cost.

From where I sat, I studied the outline of his form against the stage light. What stirred in me was not admiration, nor pity. It was the old recognition that something human had briefly touched the divine and survived.

Around me, mortals applauded a miracle dressed as entertainment. I knew better. It was the sound of worship, disguised as applause.

It struck me then, watching him in the light—how easily he learned to command it.

Hugo was chaos in private. He resisted structure, tested my temper, spoke like he believed the world still owed him tenderness. He was ungovernable in spirit, always circling the edge of defiance, like a creature that had learned freedom the hard way and now bit at every hand that tried to guide it. Yet here, under the deliberate cruelty of stage lamps, he obeyed better than any disciple I had ever been given.

He moved with a precision that seemed innate, as though the instructions I'd given him had rooted in the bone rather than the mind. Every gesture carried the echo of my teaching, but none of the servility. He didn't imitate obedience; he embodied it, transformed it, made it human enough to disguise what it was. His control of power was not mine—it was his translation of mine. That difference unsettled me more than defiance ever could.

He was the most difficult to manage, and yet the most perfect in execution. Every lesson he had resisted found expression in movement, every warning he had mocked now obeyed with elegance. He was a paradox made flesh—a soul unwilling to kneel but made for kneeling in all the right ways.

I should have despised that contradiction. I should have seen in him nothing more than another mortal—brief, combustible, predictable in his ruin. But there was something in the way he took what I offered and turned it to art, how he made my dominion look like choice. It was an offense of the highest order, to be mastered by beauty so careless of its own source.

He had become a reflection I could not correct.

The audience saw a showman, an illusionist blessed with strange grace. I saw the miracle of instruction fulfilled. I saw the fire I had given him breathe in rhythm with his pulse, not mine. He had turned obedience into creation, servitude into brilliance. That kind of will should have been impossible.

And still—there he was, the boy I'd pulled from the filth of his kind, standing on polished wood before creatures who mistook wonder for philanthropy, drawing worship from their throats with nothing more than the elegance of control.

I felt something stir in me that was not pride, nor envy, nor hunger. It was closer to possession, but quieter. A thought that lingered like a stain I could not wash away.

He is the most troublesome to keep, I told myself. And yet, the one I cannot release.

Each time he listens, he binds himself tighter to my design. And still, each time he performs, I feel the urge to keep him longer—long after the work is done, long after the purpose is fulfilled.

There is something in him worth preserving, even if it damns us both.

He came to me running.

The crowd still roared behind him, applause spilling like water over marble, but he didn't hear it. His eyes were locked on mine—lit, fevered, impossibly alive. For a moment he looked young, almost painfully so. The light clung to his face, to the sheen of sweat across his temple, and I thought of how strange it was that someone so steeped in transgression could still carry a gaze so uncorrupted. The look of a creature that has done terrible things and yet returns, tail wagging, expecting praise.

He stopped before me, chest rising, words stumbling over breath.

"Did you see that?" he asked, though his voice carried the answer already.

I stood. "I am speechless," I said, and meant it. "You did amazing, Hugo."

He laughed under his breath, half relief, half disbelief. "Yeah, I could tell. The people—God, the people—I just—"

The words broke off as the guests began to converge. Their jewelry shivered under the chandeliers, their smiles practiced into politeness. They surrounded him in warm congratulations and soft deceit, all gleam and applause and calculation. He endured it well, nodding, laughing, bowing slightly when he should. He didn't see how easily they gathered, drawn to novelty like moths to a candle that would not burn them.

Eddie pushed through the mass, his grin bright with astonishment. "Did you actually see that?" he asked me, breathless.

"I was sitting right here," I said, a tone of calm I did not feel. "Of course I saw it."

Eddie clapped his hands once. "I'm fucking in. I'm all in, man. My friend—my friend did that." He exhaled like it was too much to hold. "Damn."

I looked at him, unmoved. He didn't know what he was praising. Your friend executed it, I thought. But I built it. I am the hand that steadied the fire before it learned to dance.

Hugo caught my gaze from across the circle of admirers. His lips moved around a polite apology as he began to excuse himself, murmuring something about the air, the noise, the heat. He gestured toward me as he backed away. "Eddie there, he is my manager," he said lightly, and then he took my wrist, pulling me out from between chairs and laughter before I could protest.

The guests parted in our wake, a corridor of silk and fragrance. He led me through the far door, out to the terrace that curved around the rooftop—quiet, empty, the sea below whispering its eternal complaints. He shut the door behind us, the sound sealing the world out.

The air outside was sharp with salt. The city's breath carried upward, a low restless murmur from the streets below. Hugo turned to me, face still lit with that unbearable sincerity.

"Thank you," he said. "Thank you so much."

"Thank me?" I asked. "You did that."

He shook his head quickly, stepping closer, eyes wide enough to reflect the city lights. "No, you did that. You gave me the ability to do it. You gave me this." His voice softened, earnest as prayer. "I know this is the first big step, and I know I wouldn't have done it without you."

Before I could speak, he reached forward and took my hands in his—both of them, firm, warm, human. He held them like one holds something holy. The gesture stunned me more than his words. His touch was steady, not trembling, but charged with the pulse of conviction.

"Is there anything more I can do for you?" he asked.

The question silenced something in me. For an instant I could feel the shift of my own expression, from surprise to quiet amusement. He had no idea what he was offering, what more could mean to something like me. He was so disarmingly earnest it almost felt sacrilegious.

I studied his face. That open gratitude, the unguarded devotion—none of it made sense. You are thanking me for your corruption, I thought. You are thanking the flame for not consuming you.

He waited for an answer. I gave him one that fit the world he still believed in.

"Anything," I said, "except praying for me."

He blinked. "What?"

"Don't ever set a prayer for a devil," I told him quietly. "Understood?"

He hesitated, confusion softening into something like awe.

The wind moved between us, catching at his jacket, lifting a strand of his hair. I could feel the pulse of the bond between us, a thin thread strung taut with faith and disobedience both. It was dangerous, that kind of gratitude—it made mortals believe in goodness where there was none to find.

He smiled faintly, still holding my hands, still unaware of how much he was damning himself by thanking me.

And I, against every instinct carved into my creation, let him.

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