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Chapter 7 - The Second Sitting

I arrived at the studio later than I had intended, my steps quick along the slick streets, the night air cool against my skin. The city outside was alive with lights and distant hums, but as soon as I stepped inside, it felt like another world had swallowed me whole—a world where the only thing that mattered was him and the way he saw me.

Adrian was already there. He did not turn as I entered. He stood near the largest canvas in the room, the one he had prepared the day before. Its surface was blank, but I could feel the tension already in it, as if it anticipated my presence.

He finally looked at me, and the room seemed to shrink. The way he looked at me had changed. It was sharper, more focused, as though the first sitting had been only a warm-up, a test. Now he was intent on capturing something deeper, something hidden.

"Sit," he said softly, almost gently. But there was no mistaking the command in the curve of his voice.

I obeyed, settling onto the stool, my fingers clutching the edge for grounding. My heart was already racing, and I had only just crossed the threshold.

"Tonight," he said, circling me slowly, "we explore what cannot be seen in light alone. Shadows reveal truths. Do not hide them."

I swallowed. The brush in his hand hovered over the canvas. I could feel the heat of his gaze on my skin, the weight of his attention pressing down in a way that made the room feel warmer than it should have.

He moved behind me, close enough that I could feel his presence in my back, in the space between us. "Breathe naturally," he whispered. "Do not think of the pose. Think of yourself. The real you."

I tried, but it was difficult. Every nerve in my body felt alive under his scrutiny. Every small shift, every tremor, seemed to be absorbed by him, cataloged, memorized. I felt exposed, yet strangely safe. There was a precision in the way he observed me that was almost intoxicating.

He lifted the brush and began.

The first strokes were careful, almost reverent, following the curves of my shoulders, the angle of my jaw, the line of my collarbone. I realized then that this was not just sketching. This was something more. He was translating my presence into something tangible, something eternal. Every motion, every subtle shift of my body, became part of the work, part of him, part of the studio itself.

"Your eyes," he murmured, "tell a story I want to know."

I could not look away from him as he worked. There was a rhythm to his movements, a focus that drew me in, held me captive without words. The brush paused occasionally, hovering over the canvas as though deciding whether to press forward, whether to claim more of what he saw.

"You are unlike anyone I have painted before," he said softly. "Every gesture, every hesitation, is vital. You give more than you know."

I felt my pulse quicken, my chest tightening. The studio had become a cocoon, the lamplight painting golden shadows across his face, highlighting the intensity of his gaze. He was precise and deliberate, every line, every stroke, measured, yet effortless.

"I—" I began, but my voice faltered. There was no need for words. He already knew.

He stepped closer, his presence pressing against mine without touching, a gravitational pull that made it impossible to look away. "Do not think," he whispered. "Just be."

I obeyed. My shoulders relaxed slightly, though the tension in my chest remained. He captured it all—the subtle shift of my posture, the way my fingers curved, the way my eyes flickered when I tried not to meet his.

He paused, setting the brush down briefly to study the canvas. "The first sketch was only an outline. This sitting is where we begin to reveal the layers. The truth lies not in what is obvious, but in what you think is hidden."

I felt a shiver, though I could not tell if it was from anticipation, fear, or something else entirely. His words carried weight, and his gaze pressed against me in a way that made my heartbeat loud in my ears.

"You will see yourself differently when I am finished," he said. "And perhaps, so will I."

I dared a glance at the canvas. The lines were not yet fully formed, but they were already… alive. Not a simple reproduction of my body, but something more. Something that captured the essence of me I rarely allowed anyone to see.

"You make me feel," I whispered, though I did not finish the thought.

"That is the point," he said softly. "To feel fully, honestly, without pretense. To exist completely."

Time stretched. Minutes bled into hours. The studio smelled of paint, cedarwood, and the faint warmth that lingered between us. Each stroke of his brush was deliberate, precise, intimate. And I began to understand the dangerous rhythm of his obsession—not just with capturing me on canvas, but with knowing me completely, with understanding the parts I kept hidden.

I shifted slightly, and he adjusted the angle of the brush. "Do not hide from me," he said, eyes never leaving mine. "Even the smallest twitch tells a story. Even hesitation is a truth."

I shivered again, though it was not cold. The intensity of him, the way he claimed the space around me with just his attention, made me dizzy, made me ache in ways I did not fully understand.

When he finally set the brush down again, the canvas was only partially complete, but already it held something impossible to define. Not just me, not just a reflection, but an echo of something deeper, darker, and unbearably intimate.

"You have given me much tonight," he said quietly, stepping back. "More than most ever will. And yet, this is only the beginning."

I nodded, though I felt both exhausted and alive. Something had shifted. Something in the way he looked at me, the way he painted me, had begun to etch itself into my skin, my thoughts, my pulse. I was no longer just a muse. I was a part of him, as he was becoming a part of me.

I left the studio that night drenched in more than rain. I was consumed by the heat of his gaze, the intensity of his obsession, and the pull of a connection that was as dangerous as it was intoxicating. And I knew, with every step back into the cool night air, that I would return. That I could not resist the way he saw me.

Because in the studio, under his eyes and between the strokes of his brush, I had begun to belong to him.

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