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Chapter 2 - The Face on Every Screen

MIA POV

The sun comes up grey and does nothing to help.

Mia has not slept. She sits in the plastic chair beside the exam table, watching the man's chest rise and fall with the rhythm of the oxygen she gave him. His vitals are stable. His color is better. He is breathing like someone who decided to live and meant it.

She should feel good about that. She does not.

The night has moved into morning in the particular way nights do in hospitals and clinics. No transition. No soft light. Just one moment dark and the next moment too bright. Six hours. She has been watching him for six hours. She has not blinked more than necessary.

Her phone is on the counter.

She told herself three hours ago that she would not check it. She is a liar. She picks it up and her hand moves through the motions of opening the news app without her brain sending the command to move. Muscle memory of dread that she has not even acknowledged yet.

The screen fills.

The headline hits her so hard she forgets to breathe.

DANTE REEVES MISSING. FEARED MURDERED.

The face next to the headline is the same face sleeping six feet away from her.

She reads it once. The words do not rearrange themselves into something different. She reads it again. They still mean the same thing. The man on every news channel in New York is lying in her clinic right now, barely breathing, stable because of her hands.

Dante Reeves.

Head of the Reeves crime family.

Organized crime figure considered the most powerful operating in the United States.

Missing since approximately 11 PM last night. Feared dead or captured by the rival Caruso family.

Federal investigation spanning twelve years. Zero arrests. Zero convictions. Zero successful prosecution.

Never spent a night in police custody.

Never failed at anything.

Until he bled on her clinic floor.

Mia sets the phone face-down on the counter.

Picks it back up.

Her hands are shaking in a way that has nothing to do with fatigue. This is pure cold fear, the kind that moves slow through your bloodstream and takes everything with it. She thinks about her medical license. The one she fought to keep after Paul destroyed her career. The one she has been protecting by working nights at a clinic that barely covers her rent.

One phone call ends that.

She thinks about the kidney tray on the counter. The three bullets she pulled from his body are sitting in it like evidence in a crime scene. Which they are. Which this is.

She thinks about the fact that Dante Reeves has never spent a night in custody. She thinks about what that means for people who help him. She thinks about what it means for a doctor who just became accessory to a federal crime.

She stands up.

Her mind slides into the narrow methodical channel that lives in surgeons. What is the problem? The problem is enormous. What is the solution? The solution does not exist yet. What is the sequence of steps? Start with what you can control.

She scrubs the counter first. Blood comes up pink and then grey and then disappears completely if you push hard enough. She scrubs the floor. Scrubs the edges of the exam table where his shirt touched. Scrubs her own hands again because no amount of scrubbing is enough. The smell of bleach replaces the smell of blood and she breathes it in like it is forgiveness.

It is not.

Her phone buzzes. A news alert. She silences it without reading. Silences the next three that come in rapid succession. The phone goes quiet. The clinic stays quiet. Only her breathing and the hum of the air filter and the man in the exam room who is alive because of her.

She checks his vitals again. Pulse strong. Oxygen saturation at ninety-five percent. He is healing exactly the way a body heals when someone knows what they are doing with a scalpel. She did this right. Everything she did was medically perfect. Everything she did was also a felony.

She looks at his face. Even pale and sedated, there is something in his structure that makes her understand why the news called him dangerous. There is no softness. Nothing that asks for mercy. Even asleep, he looks like someone who takes what he wants.

She pulls up her financial records on the clinic computer. Ninety-three dollars in the emergency fund. Enough to survive maybe two weeks if she stops eating.

She has nowhere to go. She has no money. She has a career that is over the moment anyone finds out about this. She has maybe four hours if his warning was accurate. Maybe less.

She closes the computer.

She goes back to cleaning because cleaning is the only thing she can control. Her hands move while her mind fractures trying to calculate what cannot be calculated. She is so focused on the task that she almost misses the sound.

A car door closing.

Then another.

She stops. Sets the cloth down. The clinic windows are frosted at the bottom but clear at the top. She walks to the waiting room without hurrying because hurrying means panic.

She looks through the glass.

Two cars sit at the curb.

Both black. Both running. Both empty.

They were not there twenty minutes ago. She is certain because she looked. She looked at the street when she was trying to decide if it was safe, and the curb was empty.

Now it is not.

Mia's heart moves into a rhythm that is not sustainable for long periods of time. She steps back from the window. Her hand reaches for the clinic phone and stops. Calling the police means confessing. It means losing everything. It means the man in the exam room waking up in a federal facility.

It means she made a choice last night and now has to live with the consequences.

She walks back to the exam room.

He is still asleep. Still stable. Still the most wanted criminal in America. She reads her own notes from six hours ago. Three gunshot wounds. One near the femoral artery. One through the ribs that should have punctured a lung. One that could have bled out in minutes.

He survived because she did her job perfectly.

The sound of car doors opens.

Footsteps on the back stairs.

Multiple people. Moving like they have done this before. She has seconds. Maybe less. She moves to the exam table and stands between the man and the door with no plan and no good reason except that he told her not to call the police and she listened.

The footsteps get closer.

She reaches down and grabs his shoulder. Shakes it. His eyes snap open. He is awake instantly, completely, like he was never asleep at all. His hand reaches for something that is not there, and she understands he is the kind of person who sleeps with weapons close enough to reach.

"There are people coming," she whispers. "Back stairs. Multiple."

He goes very still.

His eyes focus on her face and she sees the moment understanding hits him. She sees something else too. Something that might be respect. Then his hand reaches out and grabs her wrist exactly the way he grabbed it at 2:17 AM and pulls her down close.

"When they come through that door," he says quietly, "you tell them I am your patient and you have not called anyone. You tell them I am still unconscious. You tell them nothing else."

She nods once.

The footsteps are at the clinic door.

The door opens.

Two men stand in the doorway. Both large. Both armed. Both looking at her like she is a problem they have been sent to solve. The first one steps inside and his eyes move from her to the exam table to the man sitting up despite his injuries.

"Boss," the man says.

And Mia understands that she made a choice last night, and that choice is about to make a thousand more choices for her, and she is about to find out if standing between a man and a door is bravery or the worst decision of her life.

The man beside her squeezes her wrist once. A warning or an apology or a promise. She cannot tell which.

The choice is already made.

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