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P4 — Kai Sterling lasted ten years. That's not nothing.

He woke at six forty-seven.

Not from the alarm — he'd turned it off the night before without thinking, the habit of someone who wakes before it often enough that the brain stops waiting for the sound. The light coming through the window had the quality of late autumn, that cold, direct luminosity that warmed nothing but made everything very sharp. The kind of light that didn't leave soft shadows.

He made coffee. Two minutes and forty seconds in the French press, the same measure as always. He drank standing in the kitchen because sitting produced the illusion that there was time to sit, and he'd learned that mornings went better when he didn't build unnecessary illusions at the start.

He had a meeting at nine. Campaign presentation for a new client — three weeks of work compressed into forty minutes of conference room, the kind of thing Kai did well enough not to need nerves but that still required real presence. He'd laid out the suit the night before. He'd reviewed the deck at eleven before going to sleep.

He opened the notebook on the kitchen table.

Chapter thirty was where he'd left it — the cursor blinking after the last sentence, the king of ashes dead but not yet written, the page waiting with the patience of inanimate things that have no other option. Kai read what he'd written the night before. Three paragraphs about what the soldiers did the day after the king's death — not grief, not revolt, but the mechanical continuation of routines the king had established, because that was what bodies did when the mind hadn't yet processed that the structure was gone.

It was good. Probably the best thing in the chapter.

He wrote two more paragraphs. Checked the time. There was still room before he needed to leave — enough for one more scene if the text cooperated, not enough to start something that needed continuity. He stayed in that middle ground for a few minutes, rereading what he'd written, doing the kind of small revision that was actually postponement.

Then the emergency phone rang.

Not vibrated. Rang — at a frequency Kai hadn't programmed, that didn't match any saved tone in the device, that arrived at the ear with a slightly wrong quality, like sound reproduced in an environment with different acoustics from where it had been recorded.

He answered.

Silence first. Then something that took a second to recognize as breathing — but too slow, with irregular intervals, as if it belonged to a system that had learned the rhythm of breathing by observation rather than necessity.

Then a voice.

It wasn't a person's voice. It was close enough to register as one, but there was something in the texture — in the layered frequencies that the human ear normally didn't distinguish but that Kai distinguished without wanting to — that produced the specific sensation of hearing something very old trying to fit inside a very small frequency. Each word arrived with the weight of something that had waited too long to be said.

"Aki Sterling. Twenty-two years old."

Kai didn't move.

"Spontaneous manifestation. Yesterday. Advanced Thermodynamics." A pause that wasn't a pause — the interval of something measuring effect before continuing. "He's safe. For now, the condition is yours."

The noise of the city outside kept existing. A delivery truck. A horn at the intersection below. The sounds Victoria Bay produced without knowing there was a kitchen on the eighteenth floor where time had stopped.

"Seventy-two hours." The voice had a quality Kai couldn't catalogue — not exactly threat, not exactly urgency. The quiet certainty of someone communicating facts and not making requests. "Voluntary presentation. After that, we come for you — and the conditions change."

The call ended without warning. No click, no static. Just the abrupt silence of a line that had existed and ceased to exist.

Kai stood in the kitchen holding the phone.

The lens came in.

It didn't ask permission — it never did. The situation had a crisis profile and the brain responded the way it had learned to respond: cataloguing, analysis, variables, options. Aki was contained but stable, which meant the immediate threat was low and a negotiation window existed. Seventy-two hours was a generous deadline for real urgency — it was a deadline calculated to produce a decision under pressure without total panic. Voluntary presentation versus forced protocol was a false dichotomy because in both cases the outcome was the same.

It lasted exactly two paragraphs of thought.

Then it stopped.

Not dramatically. It simply stopped, the way analysis stops when it reaches the limit of what analysis can do and finds on the other side only the simple and non-strategic fact that Aki was somewhere being held because of something Kai had spent ten years trying to ensure would never happen.

He put the cup down in the sink.

He picked up the notebook from the kitchen table. Held it for a moment — the familiar weight of the object, the aluminium edges, the surface lightly scratched in the bottom right corner from when it had fallen once in a café in Lisbon, two years ago. There were four novels inside that computer in various states of existence. There was chapter thirty with the three good paragraphs about soldiers who continue by inertia when the structure disappears.

He opened it.

He went to the beginning of the entire file — volume three, two hundred and forty-six pages of a king who had built an entire world and lost everything inside it. Selected all. Held the cursor over the selected text for a moment, feeling the abstract weight of everything marked in blue on the screen.

He didn't delete it.

Saved it in a folder with no name and closed it.

Opened a new file, blank. Wrote one sentence. Just one.

The fire doesn't remember everything it warmed. But the cold it leaves behind — that, the cold remembers.

Looked at it for a moment.

Closed without saving.

Closed the notebook.

He went to the bedroom, opened the wardrobe. The suit was there from the night before — pressed, on the hanger, ready for a nine o'clock meeting that wasn't going to happen. He looked at it for a moment with the expression of someone calculating the cost of a decision they've already made.

He took the leather jacket from the hook beside it.

Sent a message to his assistant: Meeting cancelled. Reschedule the client. There was no explanation because explanation created a trail and a trail created questions, and he'd reached the point where questions were a luxury that was no longer available.

He went to the kitchen, poured the rest of the coffee down the sink, washed the cup. Put it on the drying rack with unnecessary care, the attention given to small gestures when the brain is processing something that has no adequate gesture.

At the door, he stopped.

There was something he had done every morning for the last ten years without exception — not as a conscious ritual, but as the kind of habit a body develops when it needs a way of saying I'm still here without requiring an audience. A gesture with no functional purpose. The kind of thing Kai Sterling did that had no name because it didn't need a name inside a life where most of the important things didn't have names either.

He stood at the door for a moment.

He didn't do the gesture.

He left.

The door closed behind him with the exact sound doors make — neither heavier nor lighter than any other time. The corridor was as it always was at that hour, lit by the fluorescent light with the faint hum Kai had learned not to hear after three years.

He went down the stairs.

On the street, the autumn light was the same light as always.

He turned left.

And somewhere between the apartment building and the end of the block, without announcement, without legible transition, the way he moved through space changed. Not the speed. Not the direction. Something more fundamental — the relationship between the body and the space around it, as if the space knew something the body was still processing.

As if the ground recognized the weight of who was walking on it.

As if it had been waiting.

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