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Chapter 58 - Chapter 57: The Trap

Chapter 57: The Trap

"Eight," Ashley said, "is a very small number."

We had met in the conservatory, a glass-walled room at the back of the house where the ferns had died decades ago and nobody had had the heart to tell them. The sky above the back gardens had been threatening rain since the foyer and hadn't yet found the nerve. Leo lay along a wicker bench with his arm over his eyes. Ashley paced between the dead pots in a slow circle, like a woman rehearsing a eulogy she hadn't decided whether to deliver.

"I said John's name," she went on. "I said it beautifully. I put a little crack in my voice. And I enjoyed it, Jane, which is the part I'm going to think about later."

"It worked," I said.

"It worked." She stopped pacing. "Jenita voted skip."

"That's what bothers me."

"She has a frown and a feeling."

"She's the only one at that table who didn't want a body." I kept my voice low, though the glass held no one but us and the dead ferns. "Everyone else was hungry. She wasn't. People who aren't hungry are the ones who are waiting for something."

Ashley waved the thought away with two fingers. "Then let her wait."

"There's something else." I looked at both of them. "The doors. I want to hear it from you again."

"Not me," said Ashley.

"Not me," said Leo, from under his arm.

"Not me. So that's one event in this house nobody at the table ordered, and Jenita called it unregistered as if she was reading a weather report." I pressed my thumbnail into my palm. "Somebody in Hollowgate can lock every door in it. I think it's Victor."

"You think everything is Victor."

"Everything has been Victor."

"Then let him have the doors." Ashley stopped at the glass and looked out at the gardens, where the wind was combing the long grass flat. "This house is hiding something, Jane. Three chests, a locked queen, a silence you could cut with a pen. Somebody built a second game inside the first one, and I'd like to be standing in front of it when it wakes up. Wouldn't you?"

I didn't answer, which she took as yes.

Leo lifted his phone without moving anything else and read from the screen in a voice like a man reading a menu. "Primary target: Jason Miller. He's the one with the chests. I'm told he's very observant."

"Sleep on it," said Ashley.

"That's my plan," said Leo.

JENITA — THE KITCHEN WING

Jenita walked the service passage for the third time and still found no looping door.

There was one door, which led to a dead end. There was one pantry, with a drain in the floor and a ladder up to a hatch that opened onto nothing. There was no stretch of kitchen wing that could turn a person around and leave her half a window wasted, as a certain girl had said over a certain dinner table, with exactly the right amount of irritation.

Her phone gave her one question per cycle, about one door, and she had spent this cycle's on the kitchen. The answer had been a single line: NO SUCH DOOR ON RECORD.

It wasn't evidence. It was a lie with a footprint, which in a house like this was better than evidence, because you could use a lie. You could feed it.

She stood in the empty passage and went through what she had. Ashley, who had set the table for two and told a story that never happened. Leo, who slept like a man with nothing to prove, which was either honesty or the best act in the house. And Jane, who had performed a task in a hallway with a rhythm that was a little too clean, and who had then found a first convenient suspect and let the room do the rest. Jenita hadn't said so. She had voted skip, and watched John Christopher's face when the wristband went grey, and had felt something she didn't have a word for.

She had nothing on Jane yet. She had something on Ashley, and something else besides: on her very first sweep, in a corridor behind the boiler room, she had found a console with a dark screen and a line of text.

REGISTRY. Wristband required. Registered Saboteurs only.

She had tapped her own wristband against it, because someone should. The screen had flashed ACCESS DENIED and logged her name. And that was when she'd understood that the console was a lock with a memory, and that a lock with a memory could be turned into a net.

Ashley liked to know what others knew. It was the most reliable thing about her. She hovered at the edge of conversations with a polite, listening face, and she gathered facts the way other people gathered compliments.

So Jenita found her at the window seat on the east corridor, alone, and sat down beside her with her hands folded, and said the one thing Ashley would never expect from Jenita.

"I need to tell someone, and I think it should be you."

Ashley's eyebrows rose a quarter of an inch. "Me?"

"You've been kind to everyone. It's tiring to watch, honestly." Jenita let a trace of weariness into her voice. "I don't trust that table. But I found something. A console behind the boiler room. It wants a wristband I don't have. I'm going back at three to try again." She lowered her voice. "Don't tell anyone. If it's what I think, I'd like to know who's afraid of it before I tell the room."

A beat, in which a very intelligent girl weighed what it would cost to look curious.

"Of course," Ashley said warmly. "Of course I won't."

Jenita thanked her, and stood, and walked away without looking back. She had said three. People like Ashley always arrived early to the rooms they meant to own.

ASHLEY — THE BOILER ROOM

Ashley reached the boiler room at 2:46, fourteen minutes ahead of Jenita, because she had never in her life let someone else open a door first.

The corridor behind it was cold, with the iron smell of old pipes. The console sat in an alcove at the end, its screen dark, its frame bolted to the wall like a shrine. She took one long look back down the corridor, listened to the silence, and told herself what she always told herself: that it was a risk, and that she had survived worse.

She tapped her wristband against the plate.

The screen woke with a soft hum. Names slid across it: three of them, three portraits, three small lines of text underneath. Her own was highlighted. Beneath the portraits ran a column of numbers she took at first for noise and then recognized as cooldown timers, counting down, a small ticking record of who could do what and when.

REGISTRY ACCESS: GRANTED.

She smiled. It was the smile she gave the mirror when a lie had landed. Here was the thing the house had been keeping behind its walls, and she had found it first, ahead of Victor, ahead of Jane, ahead of the girl with the frown.

She stayed for ninety seconds, memorizing, and then slipped out into the corridor and left the door swinging softly on its hinge. The little blue sensor above it blinked once, patiently, and wrote down everything it had seen.

The assembly chime rolled through the house again, and this time I walked into the hall without a plan, because for once the plan wasn't mine.

Eight of us took our chairs. Jenita sat between Chloe and David with her hands folded, a stillness on her that I had learned to recognize and dislike. Ashley took the seat across from me with a cup of tea she hadn't touched, composed as ever. Leo yawned. Victor was already seated, already unreadable.

"Assembly in session. No eliminations since the last assembly."

"Good," John would have said, if John had been there. His chair sat empty, and the whole room was careful not to look at it.

"I'd like to show you something," Jenita said.

She stood, tapped her wristband against the wall panel, and the house, obligingly, drew up what she asked for.

REGISTRY CONSOLE, BOILER ROOM. Access attempts this cycle:1:12, DENIED. Jenita.2:46, GRANTED. Ashley.

The room didn't move.

"On my first sweep I found a console behind the boiler room," Jenita said, calmly, as if reading the minutes of a meeting. "It opens for registered Saboteurs only. I tried mine and was denied. This cycle I told exactly one person about it. I told her at 2:30, and I said I would go at three." She turned her head. "She went at 2:46, alone, and did not tell this table."

"You told me—" Ashley began.

"I did."

"Then I went to check it!" Ashley's voice cracked in all the right places. "You told me not to tell anyone, so I didn't, and I went to see if you were lying, because I didn't trust—"

"Chloe," Jenita said, not looking away from her. "Did Ashley mention it to you?"

"No," Chloe said slowly.

"David?"

"No."

"Because an innocent person who found a door that said Saboteurs only and granted her would have run to the table." Jenita's voice stayed level, a pencil drawing a line. "She didn't run. She went early. She came back. She said nothing. And the console says granted."

I watched Ashley's face, because it was the only thing in the room worth watching. The color left it in stages: first the warmth, then the surprise, then the pretence, until what remained was something cold and very still and, for a moment, almost admiring.

"Oh," she said softly. "That's good."

"It was a question," Jenita said. "You answered it."

Nobody argued. David murmured a trap the way you'd name a species. Chloe had gone pale. Victor had not moved, but I saw his fingers tighten, once, against the table's edge.

"Vote?" the panel prompted.

It was unanimous. I raised my hand with the others, and my arm felt like it belonged to someone else, someone who had made a promise in a pantry and was now breaking every word of it for the sake of a plan.

Ashley's wristband flashed grey.

"Elimination confirmed. Ashley was a Saboteur."

She stood, smoothed her skirt with both hands, and walked the length of the table. At my chair she paused, and her voice came out so low that only I could have heard it.

"Last piece standing, Jane. Try to look like you deserve it."

Then she was gone through the west door, her heels clicking down the corridor, and the sound was still dying when the panel moved on to the next item.

I had never hated anyone as thoroughly as I had hated Ashley. I had never respected anyone as much either. I sat in my chair and kept my face still.

Seven.

Leo found me in the east wing an hour later, which I didn't expect, because it meant he'd gotten up on purpose.

"Seven," I said. "Two of us. Victor, Jenita, Chloe, David, Jason." I didn't look at him. "Jenita's going to keep going. She's good, and she's going to be better, and she's going to find the next lie the way she found Ashley's."

"My target's Jason," Leo said. "He's in the east wing most of the cycle, going through the drawers."

"I know where he is." I rubbed my eyes. "If the lights die, he'll turn toward the nearest door. You'd have thirty seconds. Maybe forty."

"I can do forty seconds." Leo leaned against the wall with the same lazy stillness he wore everywhere, but his eyes were awake. "Electrical. That's a wristband terminal job."

"Sabotage events are logged," I said. "May be traced. That's how the message read." I made myself say it. "Whoever touches the terminal leaves a mark. If one of us does it—"

"It should be me."

"Leo—"

"They already look at me and see a punchline." He shrugged. "The kid who slept through a cycle. They'll catch me eventually; it's the story the house is telling. I'd rather it come at me when I'm rested, and it keeps you clean."

"I won't let it come back to you."

"You will," he said, almost gently. "That's the plan. Last piece standing, remember? Ashley wasn't wrong." He pushed off the wall. "Besides. It's a lot less tiring to lose than to win."

I didn't have an answer for that. I had a thousand, and all of them were lies.

The east wing hallway was long and narrow and lined with doors, and I stood in one of them, half in shadow, with my phone dark in my hand and my pulse in my teeth. At the far end, a wristband terminal glowed a patient blue. Beyond it, framed in the soft light of a half-open door, a boy was running his hand along the underside of a drawer, murmuring to himself.

Jason Miller never saw Leo coming.

Leo tapped his wristband against the terminal. I watched the screen read his name, a dozen choices flicker past, and then he pressed one with a thumb that didn't hesitate. The lights didn't flicker. They left, all at once, like a held breath finally spent.

The dark was total. I counted. Somewhere in it, a drawer scraped; a floorboard answered; a voice said, "Hello?" in the careful tone of someone who had decided not to be afraid.

Then a chime, flat and clean, and the lights came back, grudgingly, one wing at a time.

Jason stood in the corridor with his grey wristband glowing faintly against his sleeve. He looked at Leo, who was already walking back toward his bench with both hands in his pockets, and then at me, in my half-open doorway, with an expression I will never be able to describe.

"You were asleep," he said quietly.

"I was," said Leo, without turning. "I'm sorry."

Jason went west. Nobody followed him.

The next assembly began with the sound of David Samuel setting his phone on the table with a very small, very deliberate click.

"Assembly in session. Since the last assembly, one participant has been eliminated."

A portrait went grey on the wall. Jason.

"System events logged this cycle: ELECTRICAL, east wing."

"I went to the east wing terminal," David said. He didn't stand; he was not the kind of person who needed to. "The panel keeps a cache. It records the last wristband that touched it." He glanced down the length of the table, and I knew before his eyes arrived where they were going. "Leo Reed. At 4:40. The same minute the lights died, and the same minute Jason went grey."

Every head turned.

Leo had been in the middle of a yawn. He finished it. "I was asleep."

"In the east wing," David said. "At the terminal."

"Sleepwalking."

"Leo."

Leo looked at the ceiling for a long moment, as though consulting it. Then he sighed, long and low, with the air of a man being asked to do a great deal of paperwork. "Yeah, okay. It was me."

There was a silence in which you could hear the walls.

"That's it?" Chloe said, almost angrily. "That's all you're going to say?"

"It was a lot of work," Leo said. "I'd like to go back to sleep."

I watched Victor's eyes pass over Leo and then, for the length of a heartbeat, over me. I held very still. I had been holding still for so long that it had become a kind of skill.

Jenita didn't argue. She didn't need to. David was already standing, and the vote came before the panel could even prompt it. Chloe, then David, then Jenita, then Victor, his hand rising like something deliberate in the wrong light.

My hand was the last one up. I made it rise.

Leo's wristband flashed grey.

"Elimination confirmed. Leo Reed was a Saboteur."

He stood, stretched until his shoulders cracked, and gave the empty chair beside him a look of unbearable regret. As he passed behind my seat, I felt him pause, and his voice came out half a yawn.

"Don't get sentimental about the chair."

Then he was gone, down the west corridor, a lazy shape that didn't look back.

Five left. Victor. Jenita. Chloe. David.

And me.

JENITA — THE SECOND-FLOOR LANDING

Jenita didn't go back to her room.

She stopped on the second-floor landing, where the stairwell opened onto a long window and the light fell the color of weak tea, and took out her phone. The screen had changed while she was sitting at the table. It was the one thing in this house that had ever surprised her.

[QUESTION READY. One door, one record.]

She stood very still.

She'd asked herself the question four times since the first assembly and had refused to answer it, because the answer pointed at a person she had no way of proving. There was a door, now, that only one person's alibi depended on: a windowless room on the east landing, a locked half of a sealed house, and a girl alone inside with nothing but a log to speak for her.

Jenita selected the sewing room.

The phone thought for a moment, and then it answered, in the plain, flat font the house used for facts.

SEWING ROOM, EAST LANDING. Entry added by hand. Origin: west corridor panel, 2:09.

And below that, in a smaller line:

No exit recorded.

She sat down on the top step of the stairs.

Then she took a sheet of paper from a drawer in the corridor, and a pen from her pocket, and began to write in her small, hard handwriting. She wrote for a long time. The window light slid across the floor. When she finished she read it once, folded it twice, and put it in an envelope with a single word on the front.

VICTOR — THE SECOND-FLOOR CORRIDOR

Victor was standing at the end of the corridor, looking out of a window onto a garden that hadn't yet decided to rain, when he heard her footsteps behind him and did not turn.

"You have something," he said.

"I have something." Jenita stopped beside him. She was holding an envelope between two fingers, and she held it out as though handing over a key. "If I'm out before the next assembly, read this. Not before. Not if I'm only late, not if I'm only quiet. Only if my wristband's grey."

He looked at it. Then at her.

"Why me?"

"Because you never once tried to make me like you." The corner of her mouth moved, not quite a smile. "And because you looked at that pen in the relay room like you recognized it. I don't need to know why. I need someone who knows what he's looking at."

"And if I'm the third?"

Jenita considered it with the same cool honesty she brought to everything. "Then I've wasted a sheet of paper. But I don't think you are."

Victor took the envelope. It was lighter than a promise and heavier than a threat. He turned it once in the dim window light and slid it into his jacket, beside the key.

"I'll read it," he said.

"Good." She was already walking away. "Don't be late."

He stood at the window until her footsteps had faded. Far below, in the long grass, the first drop of rain struck the glass and ran down it like something that had been waiting all day to fall.

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